Showing posts with label grief. Show all posts
Showing posts with label grief. Show all posts

Thursday, February 26, 2015

Taken, Not Found

These days I hold my anger
beneath my tongue like a charm.
Spent all my nights pining
for joy like some left lover.
[The griefmongers hoist up their billyclubs
The griefmongers howl from the satellites
The griefmongers polish collection plates
The griefmongers sleep soundly every night]
These days I realize
happiness must be taken,
pried from between smashed knuckles,
pulled from between gritted teeth.

Wednesday, October 8, 2014

Three Happinesses: Part Two

You’ll get no happy ending, and neither will I.
Bad drivers, bad haircuts, bad milk,
our lopsided loves, blown chances,
being too much and not enough.
All the hurts of age (my knees) (your hands),
the suicides of friends.

Whatever ever after you will get
is not one happiness, monolithic,
but many small ones:
a baby learning to laugh.
Bread baked by your mother,
and later, her recipe,
a sacrament.
A sudden mouthful
of kisses in the elevator,
or one tender kiss in the morning
as you’re shaking off a dream,
one that turns into your husband’s eyes,
soft with love in a rough face.
A friend’s voice.
Music.
This.

Monday, September 29, 2014

Three Happinesses: Part One

I know how it is. Darkness
seems more honest than daylight,
when we shuffle our hearts
to the bottom of the stack,
brew coffee, match socks, clock in.
If I tell you my happiness
I must be leaving something out.
So I write to you of griefs,
nakedly. But while you are
licking their salt from your lips,
somewhere that you are not looking
a songbird is taking a breath,
opening its mouth to sing.

Saturday, April 26, 2014

24/30: Grief by Color


 
Black: mourning cloth for North America, Japan,
and Eastern Europe, just as if bereavement were a blind
and silent wait before a scheduled sunrise, or chambers
of a cave, unpathed, unlit, and terminal.
Korea, blue, a luminous liminal dawn and dusk that’s looming
overhead, turning lives to silhouettes. In Thailand
and Brazil, purpled widows are a newborn bruise.
In Egypt, yellow, sickly flesh, new flowers on a grave.
And India mourns in white, a cloud-cast day in which
the hours pass unmarked by sun but workplace clocks still grind
their teeth for timecards, ingredients must still be fashioned
into meals and placed into the mouth and chewed, bodies
must be bathed and lotioned, combed and dressed and shoed
and moved about and made to talk when all they want to do
   is sleep.